From the moment the music forcefully pulses from the speakers, to paraphrase Taylor Swift, it looks like we are in for trouble with this one. The synth-pop is more pop than it is synth and the feisty female attitude is well placed in a music industry that now can't get enough of strong independent women, and so DeeDee Loves Me steps forward, looking like Paloma Faith and sounding like a cross between Charli XCX and Lady Gaga.
A filthy mind and a filthier mouth lace DeeDee's music with lyrics that are not merely provocative but also thought provoking, a skewed 21st century view on sexuality that is very nearly lost beneath the insatiable monstrous pop music, and the whole package is almost as if a Shampoo comeback took its cue from Kylie's post 2000 career.
This West End girl apparently has a couple of hundred songs written, whilst the few available to stream right now walk a precarious line between slick pop genius and irritating eurotrash, only time will tell if DeeDee Loves Me will be accepted by the mainstream and adopted by Gaga's Little Monsters.
Find more info at facebook.com/deedeelovesme.
We're a collaborative British music, film and TV blog. "Trying to find the perfect match between pretentious and pop."
